Joe Kubert’s Heroic Vision

comics and cartooning, commentary and criticism

Cover, Star-Spangled War Stories #138 (1968)


There’s a lot to say about the Big Man of classic American mainstream comics Joe Kubert, who passed away last week. I can hardly do his rich and varied career justice, and in any case he is served well by Bill Schelly’s fine biography Man of Rock (2008), just as his passing was marked appropriately by Schelly over at The Comics Journal. And of course there’s Gary Groth’s epic 1994 interview with him.

What seems to me lacking in the literature I’ve seen is a critical appreciation of his art and how it developed. I cannot hope to do anything but suggest a few lines of inquiry here, but think that an examination of how his late-career non-fiction and reality-based work would be a good place to start. Back when his first and still most notable book of that particular, one might say Eisnerian phase of his work, Fax from Sarajevo was published in 1996, The Comics Journal published a critical review by Kent Worcester in which he compared its visuals with Kubert’s concurrent run on the Marvel hero comic Punisher: War Zone. The point was Kubert was simply too mired in the romantic heroism of the genres in which he had forged his style adequately to represent that book’s protagonist, his European agent Erwin Rustemagic’s real-life experiences during the siege of Sarajevo.

Tintin at Nummer9

comics and cartooning, hype & linkage


On the Danish comics site Nummer9.dk I’ve written a bunch of notes on two of Hergé’s earliest Tintin stories, the notorious Tintin in the Congo and the criminally overlooked Tintin in America as they were originally published in the early thirties. I touch upon everything from racism to humanism, from gag construction to panel composition. Unfortunately it’s in Danish, though I might try to translate it into English at some point. But yeah, now you know.

Cultural Amnesia in Berlin

commentary and criticism, pictorial arts


I’ve already mentioned it in passing here on the blog and on Twitter, but this is sufficiently important to warrant its own post. There are currently plans to refurbish the Gemäldegalerie in Berlin to the tune of a government grant of €10 million to make space for the Pietzsch Collection, a large and significant collection of modern art donated in 2010 to the German National Galleries, under the Foundation of Prussian Cultural Heritage.

This will mean that the works currently occupying that space — one of the world’s finest collections of old master paintings have to be relocated. A collection that includes major works by many of the greatest painters of European history, from Dürer, Cranach, Roger van der Weyden and Bruegel, Masaccio, Filippo Lippi , Botticelli, and Bellini, to Titian, Raphael, and Caravaggio, Rembrandt and Vermeer, to name but a few. Apparently, the current plan is to hang a selection of them in the galleries of the Bode Museum on the centrally placed Museumsinsel, while the rest will have to go into storage until at least 2018, when a new museum for the pictures is scheduled to open.

This is a terrible idea.

The Week

comics and cartooning, culture, current affairs, music, pictorial arts

The week in review

Look! Stengade 30, the by now legendary Copenhagen club, locus of Rubadub Sundays for the past decade, has new facade decoration. Executed by SOFLES, it’s perhaps somewhat tacky, but certainly spectacular, fitting the club well. Imagine it nightlit in a haze. Flix courtesy of Frederik Høyer-Christensen, full set here.

  • Robert Fisk on the destruction of Syrian treasures. Unsurprisingly, but also predictably, the cultural heritage of Syria is being destroyed in the current civil war. Fisk has been reporting on such events since the war in Bosnia, and he does it better than anyone.
  • Alyssa Rosenberg on the recent, symbolic passing of the torch in Doonesbury, otherwise known as still-the-greatest-current comic strip. Rosenberg gets it, Tim O’Neil at The Comics Journal doesn’t (scroll down a bit), although his critique is worth reading, if nothing else because it presents a dissenting, younger-generation view.
  • Perry Anderson on India. Another magisterial historical review from Anderson, this time on India’s constitution and policies of containment and conflict for the past sixty years, particularly as pertains to the North. A great primer.

    • Notes on the Passing of Chris Marker

    commentary and criticism, film, tv, video

    Last week saw the passing of filmmaker Chris Marker. I’m not that familiar with his work, unfortunately, but what I have seen I found touching on a kind of “pure cinema” level, where the elements of film come together to create something unique to the medium, achieving the kind of lyrical no so che that happens way too rarely in cinema. Very different, to be sure, but similar to the best moments of Andrei Tarkovsky’s work.