Ovre på Dansk Tegneserieråds hjemmeside, kan man nu læse en opgørelse over Kunstrådets uddeling af støtte til tegneserier og tegneserieskabere i 2009. Uden at medregne de seks 100.000-kroners legater, der er blevet uddelt til tegneserietegnere til støtte for illustrationsprojekter, der sandsynligvis ikke er tegneserier, er det samlede beløb på 478.815, hvoraf 390.000 gik til tegneserieprojekter…
The picks of the week from around the web. Comics time! This week I read a some good comics online. Apologies if you’ve already seen them posted elsewhere. Yuichi Yokoyama: “Outdoor”. Great ecology-themed short piece from the master of kinetic comics. John Porcellino: King Cat #63. The awesome group comics blog What Things Do now…
Så er endnu en international gæst til den kommende danske, internationale tegneseriefestival, Komiks.dk, blevet annonceret. Britiske Kevin O’Neill har en stolt fortid i seriemagasinet 2000AD, særligt med “Nemesis the Warlock”, forfattet af Pat Mills, og var i mange år bedst kendt for den veldrejede og morsomme, Judge-Dredd-på-Epo-tæsker-superhelte-serie Marshall Law, ligeledes med Mills bag skrivemaskinen. Hans…
Dansk Tegneserieråds formand, Thomas Thorhauge, udtaler sig officielt i debatten om selvcensur ovre på Rådets hjemmeside. Tegning af Claus Seidel, fra Caricature.dk.
Check in for the official Comics Journal/Metabunker photo reportage from this year’s Angoulême festival. Oh, and peep the Ruppert/Mulot Cent pour Cent show:
Right. Sunday at the Angoulême festival is always a bit of a wash when one lives abroad and hasn’t booked another night in France, but now it’s Monday and here are some thoughts on the festival as a whole. The policy of announcing the festival awards and the Grand Prix winner on Sunday afternoon, instated…
It’s been a long time coming, but my interview with rising star cartoonists Florent Ruppert and Jérôme Mulot, conducted in Angoulême last year, is now online over at TCJ.com. Look for an essay on their work in the not too far future.
Reporting live from the Angoulême festival: Saturday is here and its been a busy day. Crowded as usual, negotiating the often tight exhibition spaces and lecture theaters can be trying, but is certainly worth it. We started the day at the new comics center, which I must say is amazing. Under new directorship and with…
Reporting live from the Angoulême festival: The rain didn’t keep people away. Friday has been fairly busy, with the exhibition areas and tents filled as usual with a broad, heterogenous audience. I spent the day taking in various exhibitions and browsing the exhibitors’ tables in the alternative tent, ending my day of programming by attending…
Here we are! The FIBD is now alive and somewhat kicking. Thursday was somewhat drizzly and we didn’t manage to take in a whole lot of it, since we arrived and got installed somewhat late. Today looks promising though — time to take in some of the fine-looking exhibitions, I think, and the cruise for…
The picks of the week from around the web. London Review of Books: “The Darwin Show” Steven Shapin examines the phenomenon that was the Darwin year, the multifarious contexts in which Darwin takes centre stage these years, as well as the man and his work in this bravura effort. David Bordwell: “Kurosawa’s Early Spring”. A…
Amateur Alert! Read our criticism, with examples, of the colouring of earlier editions of complete Duck Comics by Carl Barks.
Since this year’s Angoulême festival is fast approaching and yours truly will be reporting from there at TCJ.com as well as here, where I’ll be joined by Thorhauge, I figured it was the time to collect last year’s coverage is one place, just to get everyone warmed up a little. So without further ado:
One of the grand old men of Franco-Belgian comics, Jacques Martin just died at age 88. One of Hergé’s most important assistants through the 1950s and 60s (notably on the South Sea Sharks and Tintin in Tibet) and one of the pillars of Tintin Magazine, he acrimoniously struck out on his own in 1972 to…
“one reason there are so many dead in Haiti is that agriculture in the countryside was no longer providing a livelihood for Haitian peasants; they moved in the thousands to the capital, they built shanties on the sides of canyons; all gone now. I won’t go over the arguments against globalization for countries like Haiti…