Matthias Wivel is the administrator of the Metabunker. He is Head of Research at Ny Carlsberg Glyptotek in Copenhagen and a co-founder and the current chairman of the Danish Comics Council.
Today sees the publication of the inaugural article in my regular column on European comics for The Comics Journal, entitled Common Currency. It focuses on Fabrice Neaud’s recent turn toward genre comics, with the series Nu-Men, after two decades of uncompromising autobiography had brought him to an impasse. Go check it out here.
The week in review Hip hop’s making bullshit headlines again. This time over the reaction to the murder, last month, of Chicago MC Lil Jojo. After news hit that the 18-year old had been shot in a drive-by, his rival Chief Keef — with whom he had been beefing, seemingly in a grab for quick…
Over at Hooded Utilitarian I’ve joined their fifth anniversary hatefest with an extended piece on the cartoons of the New Yorker Magazine. I’ve long wanted to write about what I regard as a bafflingly revered and rather depressing institution in American cartooning, so I was happy finally to get my act together on it. Go…
Yesterday, one of the few strips that should give Petey comfort ended. The circumstances of cartoonist Richard Thompson’s decision to do so — health reasons — are heartbreaking. We wish Thompson the best of health and fortune in his future endeavours.
The week in review Another great drawing by Raphael is coming up for sale. Like the Female Head, which broke all records when it sold for £29 million in 2009, it’s a so-called auxiliary cartoon for his last great, large-scale work, the Transfiguration (begun 1516, finished after the master’s death in 1520) now in the…
Yesterday’s sale at Bruun Rasmussen here in Copenhagen featured (for the second time) an extraordinary painting by Vilhelm Hammershøi. Reproduced above, it is a small, rather atypical painting, but one that adds to the picture of just how original and modern painter he was. I was happy to learn that it was acquired for a…
The week in review Not much to report from this angle this week, apart from the fact that the Jewish new year reminds me that I’ve been back in the ole home country for over a year now. Last year’s Rosh Hashannah kind of marked a fresh return to new beginnings here and it’s been…
This is part of a Metabunker series celebrating a great decade in comics with Rackham by reprinting select reviews of the decades’ best comics from the Rackham archive, along with a number of new pieces. Thus the unfacts, did we posses them, are too imprecisely few to warrant our certitude. : James Joyce In the…
“The Supreme Court is saying that campaign spending is a matter of free speech, but it has set up a situation where the more money you have the more speech you can buy. That’s a threatening concept for democracy. If your party serves the powerful and well-funded interests, and there’s no limit to what you…
David B. has long been suffering from that unforgiving problem of having defined his career with an early masterpiece. His L’Ascension du haut mal, or Epileptic, which was originally published 1996-2003, remains one of the most stirring and complex works ever created in comics, a high watermark of autobiographical cartooning and a singular artistic vision.…
On Friday, The Animation Workshop in Viborg opened an exhibition on one of the greatest comics artists ever, the Japanese ‘God of Manga’ Tezuka Osamu. If you’re in the area, I urge you to go see it. And if you read Danish, here’s Thomas Stærmose’s newly-penned introduction to Tezuka’s work and career. Oh, and here’s…
On Italian Renaissance Drawing 15th-century Italian drawings at the British Museum, Michelangelo at the Courtauld
There’s a lot to say about the Big Man of classic American mainstream comics Joe Kubert, who passed away last week. I can hardly do his rich and varied career justice, and in any case he is served well by Bill Schelly’s fine biography Man of Rock (2008), just as his passing was marked appropriately…
On the Danish comics site Nummer9.dk I’ve written a bunch of notes on two of Hergé’s earliest Tintin stories, the notorious Tintin in the Congo and the criminally overlooked Tintin in America as they were originally published in the early thirties. I touch upon everything from racism to humanism, from gag construction to panel composition.…