Charlie Hebdo and Paris: Post-Mortem
It’s been up for a few days now, but I just wanted to note that part two of my examination of Charlie Hebdo and the significance of the murders in Paris is online at The Comics Journal. Part one is here.
It’s been up for a few days now, but I just wanted to note that part two of my examination of Charlie Hebdo and the significance of the murders in Paris is online at The Comics Journal. Part one is here.
I recently published a review of the latest, 7 million print run-issue of Charlie Hebdo over at The Comics Journal. I have a second article, which delves further into the contentious and complicated issues surrounding the massacre, the cartoons and journalism of the magazine, and a bit of everything else, so stay tuned.
A new instalment on my lamentably irregular column on European comics, “Common Currency” is up over at The Comics Journal. It examines the winners in the two major categories at this year’s Angoulême festival — Abel Lanzac and Christophe Blain’s Quai d’Orsay vol. 2 and the work of Grand Prix awardee Willem, exemplified in his…
I was incredibly saddened to learn of Fantagraphis co-publisher Kim Thompson’s death last week. At age 56 it is early to go and my deepest condolences go out to his family, friends and colleagues. He shall be sorely missed, not the least within the field of comics where he made his mark. Although I’ve written…
Today at The Comics Journal the latest installment of my column on European comics, “Common Currency”, features the Norwegian cartoonists’ collective Dongery, specifically the monumental compilation of a decade and a half’s worth of fanzines, published last year. Hop on over there for a primer on some of the freshest stuff in comics right now.
Today sees the publication of the inaugural article in my regular column on European comics for The Comics Journal, entitled Common Currency. It focuses on Fabrice Neaud’s recent turn toward genre comics, with the series Nu-Men, after two decades of uncompromising autobiography had brought him to an impasse. Go check it out here.
I spent last weekend at Angoulême and as usual I covered the festival for The Comics Journal. Here are my post for Friday and Saturday, dealing with the two astonishing shows (co-)curated by festival president Art Spiegelman, and here are my thoughts on the festival as a whole. I travelled to Angoulême with representatives of…
Over at The Comics Journal my review of Fantagraphics inaugural volume of their edition of the complete Carl Barks Disney comics is now online. What do you think about the choices made for this edition?
We’re getting to that time of year when us Northern European comics fans head south to sample the first taste of spring in comics at the Angoulême festival. As in previous years, I will be covering the event for The Comics Journal, so peep their site for updates come Thursday and through the weekend. I’ve…
The cartooning duo Florent Ruppert and Jérôme Mulot are amongst the most remarkable emerging talents on the Francophone comics scene. A two-headed cartoon beast, theirs is an organic collaboration, melding writing and drawing. Their comics are possessed of a strong experimental formalism — elaborate analytical constructions, in which characters move and interact for our entertainment,…
So, still reeling a bit from the move and all the new stuff that’s happening elsewhere, but I did get the time to drop in for the MoCCA Arts Festival at the Armory last Saturday. I particularly enjoyed it as an opportunity immediately to get acquainted with the New York comics scene and meet in…
I conducted an interview with the great Fabrice Neaud back in 2009, on the occasion of the publication of his ‘augmented’ version of his masterpiece Journal III. A candid conversation on art, life and the risks incurred in their intersection. It’s now up over at The Comics Journal.
The picks of the week from around the web. Better late than never: the new Comics Journal is off to a strong start, with plenty of interesting material posted in its first weeks. My favorites have been the first instalment of Ryan Holmberg’s history of alternative comics in Japan, Jeet Heer’s notes on racism in…