Noah Berlatsky has ignited an interesting discussion on the state of contemporary ‘alternative’ American comics with a typically harsh blanket assessment of the state of the art form in America. Tim Hodler responds, Berlatsky answers and clarifies, while Eric Reynolds and others make interesting points in his comments section. Oh, and Hodler re-responds. I don’t have much to add that I haven’t already said in my discussion with Noah about much the same issues a while back (here, here and here) or in my recent review of Bart Beaty’s book Unpopular Culture, but I just wanted to call attention it, as I think it’s all quite relevant to the general artistic assessment of the new wave of comics of the past couple of decades that seems to present itself these years, now that we have such a significant body of work to consider.