I know, it’s been ages, but I’ve finally written a new installment of my column DWYCK over at The Hooded Utilitarian. This time, I draw upon the great Degas exhibition at the Royal Academy last year to discuss the artist’s inquiry into time, space, and movement and its relation to comics. Go, read.
Above: Edgar Degas, Grande arabesque, Time One, Two, Three, c. 1880-85.