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	<title>Willem &#8211; the metabunker</title>
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	<description>by matthias wivel &#38; friends</description>
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		<title>Institution and Individual &#8211; French Satire at the Comics Journal</title>
		<link>https://metabunker.dk/2013/08/15/institution-and-individual-french-satire-at-the-comics-journal/</link>
		
		<dc:creator><![CDATA[Matthias Wivel]]></dc:creator>
		<pubDate>Thu, 15 Aug 2013 13:15:07 +0000</pubDate>
				<category><![CDATA[comics and cartooning]]></category>
		<category><![CDATA[commentary and criticism]]></category>
		<category><![CDATA[hype & linkage]]></category>
		<category><![CDATA[Abel Lanzac]]></category>
		<category><![CDATA[Angoulême 2013]]></category>
		<category><![CDATA[Charlie Hebdo]]></category>
		<category><![CDATA[Christophe Blain]]></category>
		<category><![CDATA[Common Currency]]></category>
		<category><![CDATA[The Comics Journal]]></category>
		<category><![CDATA[Willem]]></category>
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					<description><![CDATA[A new instalment on my lamentably irregular column on European comics, &#8220;Common Currency&#8221; is up over at The Comics Journal. It examines the winners in the two major categories at this year&#8217;s Angoulême festival &#8212; Abel Lanzac and Christophe Blain&#8217;s Quai d&#8217;Orsay vol. 2 and the work of Grand Prix awardee Willem, exemplified in his&#8230;]]></description>
										<content:encoded><![CDATA[<p><img fetchpriority="high" decoding="async" src="http://metabunker.dk/wp-content/uploads/willem_degeulasse_3000-500x456.jpg" alt="" title="willem_degeulasse_3000" width="500" height="456" class="aligncenter size-medium wp-image-5797" srcset="https://metabunker.dk/wp-content/uploads/willem_degeulasse_3000-500x456.jpg 500w, https://metabunker.dk/wp-content/uploads/willem_degeulasse_3000.jpg 800w" sizes="(max-width: 500px) 100vw, 500px" /><br />
A new instalment on my lamentably irregular column on European comics, &#8220;Common Currency&#8221; is up over at <em>The Comics Journal</em>. It examines the winners in the two major categories at this year&#8217;s Angoulême festival &#8212; Abel Lanzac and Christophe Blain&#8217;s <em>Quai d&#8217;Orsay </em>vol. 2 and the work of Grand Prix awardee Willem, exemplified in his latest book <em>Degeulasse</em>. It is an attempt to tease out some of the tendencies in French satire, from the proudly idealistic to the coarsely individualistic. <a target="new" href="http://www.tcj.com/institution-and-individual/">Go, read.</a></p>
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