Fra mesterværket "La main verte"/"The Green Hand"

I myself will be contributing a piece to the rolling celebration taking place all week at Danish comics site Nummer9, masterminded by my friend and occasional collaborator Henry Sørensen, whose feature-length 2009 essay on Kirby leads a variety of homages and critical takes. He posted the first part of it today, soon to be followed by the second, as well as the first of a series of tributes by Danish cartoonists. Meanwhile, Danish afficionados Morten Søndergård and Kim Schou have posted a two-hour podcast on Kirby. All of this, regrettably is only available in Danish, but if you do read the language stay tuned for more, including an article by yours truly which will feature the image above (from New Gods #5, 1971) and will subsequently be posted somewhere (probably here) in English, I hope.

Oh, there have of course also been a few posts on Kirby on this site. Among them are my thoughts on Kirby’s extraordinary transitional work on the Challengers of the Unknown in the late 1950s, my take on his last Fantastic Four story with Stan Lee, and my review of Evanier’s 2008 monograph, which has just been re-released to mark the centenary. Also, there is the provocative 2007 article by aforementioned Søndergård on his possible involvement not just in the creation of Spider-Man, but the execution of some of the first comics pages featuring the character. I don’t really believe it, but it is worth your attention, as is the debate it sparked, which features Evanier (again!) as well as Blake Bell, expert Spider-Man co-creator Steve Ditko, and others.

UPDATE: here’s my essay in Danish at Nummer9 and in English at The Comics Journal.

PING PING PING PING PING PING PING PING PING PING PING PING PING PING PING PING

As is always the case, lots happened this week, but my preoccupation continues to be the implications of the 7 and 9 January 2015 murders in Paris, or at least what they are coming to represent. As Kenan Malik laments in his excellent op-ed piece for Göteborg-Posten, the initial wave of sympathy for the dead and the huge public manifestations which happened as a reaction all over France, and in other countries, exactly one year ago don’t seem to have changed much for the better when it comes to public opinion on freedom of speech and freedom of expression. European countries, France not least among them, continue prosecuting people for various forms of “hate speech” and “terrorist sympathies” while identity politics are leading educated people in increasingly absurd to silence others. And Islamist reactionaries and jihadists seem as determined as ever to silence any perceived transgressors, whether in the West or in Muslim majority countries, most recently and horrifically Saudi Arabia. At the same time, very few in the West are joining Charlie Hebdo in the necessary, continued testing of the boundaries. And frankly Charlie itself is much diminished now that several of their best cartoonists are either dead or have left the publication.

There is, however, some cause for optimism. The fact that Charlie is now a household name, and that the timing and particular combination of targets in the attack last January seems to have secured for them a special, still-horrifying place in our collective memory, may mean that the particular issues of intolerance and freedom of expression they raise will remain with us as reminders of what we have to lose for a long time.

Related links:

The illustration above is by T. Thorhauge. I ran as part of Danish comics site Nummer9’s cartoon responses to the January Paris murders.

Here in the United States we are experts in the knowledge that editorial cartooning is a dying art. In other areas of the world, however, it is an art that people die for.

— Dr. Robert Russell

The week in review

The execution, earlier this year, of cartoonist Akram Raslan is another reminder of the untenable situation in Syria, of the kind we who are especially attuned to cartooning notice. As if we needed it. It is great that the deal to eliminate the country’s chemical weapons so far seems to be going ahead (though, what about the chemical weapons in Egypt and Iran?), and good to see that the Organization for the Prohibition of Chemical Weapons was awarded the Nobel Peace Prize this week. But I fail to see how the Assad regime can be regarded as anything but illegitimate by now. I realize the complexity of the situation in the region, how delicate affecting regime change would be, and the power vacuum any removal of the current despot in charge would cause, but how can one seriously contemplate having dealings with these mass murderers in the future? How will the region ever be more stable if they remain in charge? After a while, fear of change just becomes cynicism.

Links:

Works are nominated in six categories by comics critics from Nummer9 and Strip! and the winners are selected by a jury comprising representatives from each of the founding bodies, as well as a number of independent critics, writers, artists and comics professionals. You can read much more on the Ping website, albeit only in Danish. (Sorry).

Anyway, this year’s Ping Awards were given out at a show at Lille Vega held in conjunction with Copenhagen Comics on 1 June in Lille Vega Copenhagen. It featured appearances from such international luminaries as Jaime Hernandez and Jill Thompson, as well as hilarious acceptance letters from awards winners Chris Ware and David Mazzucchelli. A sampling of the event has now been made available by the Ping team in the video above. Enjoy, and get in touch if you would like to know more about the Ping Awards.

And if you read Danish, here’s Thomas Stærmose’s newly-penned introduction to Tezuka’s work and career. Oh, and here’s Poul Petersen’s not-so-recent one.

Above is Jan Solheim, below Christian Højgaard reinterprets the last page of The Hermetic Garage.

Ping, by Storm P.

The Ping in its original iteration was awarded between 1986 and 1996 and was given to an individual for his or her contribution to Danish comics. The new Ping is rather different — it’s a set of awards given in multiple categories, much like the Eisners in the US or the Fauves in Angoulême, France. Nominees in six categories have been selected by the staff of Nummer9 with their votes tallied by Nummer9 editor-in-chief Erik Barkman, Comics Council president Thomas Thorhauge, and myself who therefore couldn’t nominate works ourselves. The winners will be selected by a jury, the members of which will be announced on 1 February and will be presented at an awards ceremony in Lille Vega, Copenhagen 28 February.

Among the nominees are some of the remarkable Danish comics published this past year, several of which are of such high quality that one might hope for international editions in the near future. You will also find nominated in two different categories a number of the best non-Danish comics of 2011. The full list can be seen here.

We’re very happy to announce the inauguration of Ping Resurrected, which would not have happened without the hard work of the great, hard-working organizing committee. Read more about them here. And do show up for the show — it’s going to be a great party!