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	<title>#NGYouChoose &#8211; the metabunker</title>
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	<description>by matthias wivel &#38; friends</description>
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		<title>Bacchus and Ariadne: the Long and the Short</title>
		<link>https://metabunker.dk/2016/02/24/bacchus-and-ariadne-the-long-and-the-short/</link>
		
		<dc:creator><![CDATA[Matthias Wivel]]></dc:creator>
		<pubDate>Tue, 23 Feb 2016 23:44:37 +0000</pubDate>
				<category><![CDATA[commentary and criticism]]></category>
		<category><![CDATA[hype & linkage]]></category>
		<category><![CDATA[pictorial arts]]></category>
		<category><![CDATA[#NGYouChoose]]></category>
		<category><![CDATA[#PaintedLovers]]></category>
		<category><![CDATA[The National Gallery]]></category>
		<category><![CDATA[Titian]]></category>
		<guid isPermaLink="false">http://metabunker.dk/?p=6703</guid>

					<description><![CDATA[Serendipity would have it that two separate digital initiatives at the National Gallery had me talking about one of my favourite paintings in the collection, Titian&#8217;s Bacchus and Ariadne, for two consecutive weeks. One was our #PaintedLovers campaign for the Valentine&#8217;s Day season, which consisted of a series of very short and (hopefully) to the&#8230;]]></description>
										<content:encoded><![CDATA[<p><iframe width="500" height="281" src="https://www.youtube.com/embed/5_NxnN0GaSU" frameborder="0" allowfullscreen></iframe><br />
Serendipity would have it that two separate digital initiatives at the National Gallery had me talking about one of my favourite paintings in the collection, Titian&#8217;s <em>Bacchus and Ariadne</em>, for two consecutive weeks. One was our <a target="new" href="https://twitter.com/search?q=%23paintedlovers&#038;src=typd">#PaintedLovers</a> campaign for the Valentine&#8217;s Day season, which consisted of a series of very short and (hopefully) to the point expositions on selected paintings with love as their theme by myself and colleagues (above). The other is a new initiative, <a target="new" href="https://twitter.com/hashtag/NGYouChoose?src=hash">#NGYouChoose</a>, where the public votes for paintings in the collection to receive more in-depth facilitation from the curatorial staff. This consists of a public lecture of half an hour or so that is then posted to the Gallery&#8217;s YouTube channel (below).</p>
<p>It was a fun exercise, and hopefully the lectures and videos have been useful to some of you. I&#8217;ve got to admit, however, how difficult I find it to talk to a camera. This is particularly evident in the #PaintedLovers video, where I was ad-libbing a presentation where everything had to be on point, i.e. clear, devoid of mispronounciations, uhs, digressions, etc. I come across (to myself, at least) as mannered and robotic. As such it is a pretty good reminder that I need to loosen up when speaking into the dark glass.</p>
<p><iframe width="500" height="281" src="https://www.youtube.com/embed/LqsVfQrStes" frameborder="0" allowfullscreen></iframe><br />
The #NGYouChoose lecture was also improvised &#8212; which is the way I tend to prefer it &#8212; and its lack of tight coherence shows it, but at least I feel more relaxed. I am talking to an audience that is right there, and that helps. It doesn&#8217;t change the fact, however, that the camera mercilessly captures every nervous head scratch, every superfluous gesture, and my incessant shifting of feet. I get sea sick watching it. </p>
<p>Sorry, this is mostly a bit of autocriticism. If nothing else, I hope it will help me do better videos in the future. In the meantime, I hope you enjoy at least some of what I have to say on this terrific painting. Do let me know, and thanks for watching.</p>
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