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	<title>Kenneth Clark &#8211; the metabunker</title>
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	<description>by matthias wivel &#38; friends</description>
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		<title>The National Gallery at 200</title>
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		<dc:creator><![CDATA[Matthias Wivel]]></dc:creator>
		<pubDate>Fri, 10 May 2024 16:54:26 +0000</pubDate>
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		<category><![CDATA[pictorial arts]]></category>
		<category><![CDATA[Kenneth Clark]]></category>
		<category><![CDATA[The National Gallery]]></category>
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					<description><![CDATA[Today is the bicentennary of the National Gallery in London. As my former workplace, and a constant in my professional life for more than a decade, this resonates for me. The Gallery&#8217;s collection of old master and early modern Western painting in the world, perhaps the finest if measured by overall quality &#8212; it is&#8230;]]></description>
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Today is the bicentennary of the National Gallery in London. As my former workplace, and a constant in my professional life for more than a decade, this resonates for me. The Gallery&#8217;s collection of old master and early modern Western painting in the world, perhaps the finest if measured by overall quality &#8212; it is truly a rarefied selection. It is also one of the UK&#8217;s great public institutions, founded by and for the people, it has remained open daily throughout most of its existence (with the exception of the Covid-19 lockdown periods) and provided free access to the public for most of that time. </p>
<p>To paraphrase one of its former director, Kenneth Clark, it has been, and remains, one of the civilising forces of the Western imagination.&#8221;</p>
<p>I believe this light show is happening more or less as I write this from my home in Copenhagen, Denmark, to where I&#8217;ve happily &#8212; but also a little mournfully &#8212; returned on a permanent basis.</p>
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