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	<title>DWYCK &#8211; the metabunker</title>
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	<description>by matthias wivel &#38; friends</description>
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		<title>More on comics criticism at the Hooded Utilitarian</title>
		<link>https://metabunker.dk/2013/03/18/hype-dwyck-at-hooded-utilitarian/</link>
					<comments>https://metabunker.dk/2013/03/18/hype-dwyck-at-hooded-utilitarian/#comments</comments>
		
		<dc:creator><![CDATA[Matthias Wivel]]></dc:creator>
		<pubDate>Mon, 18 Mar 2013 13:47:10 +0000</pubDate>
				<category><![CDATA[comics and cartooning]]></category>
		<category><![CDATA[commentary and criticism]]></category>
		<category><![CDATA[hype & linkage]]></category>
		<category><![CDATA[DWYCK]]></category>
		<category><![CDATA[Eddie Campbell]]></category>
		<category><![CDATA[Hooded Utilitarian]]></category>
		<guid isPermaLink="false">http://metabunker.dk/?p=5469</guid>

					<description><![CDATA[In the latest instalment of my irregular column at the Hooded Utilitarian I present a late entry in the debate kicked off last month by Eddie Campbell, with his essay for The Comics Journal, &#8220;The Literaries&#8221;. In his essay, Campbell took issue with the insistence by some critics not just of comparing the achievements of&#8230;]]></description>
										<content:encoded><![CDATA[<div id="attachment_5470" style="width: 510px" class="wp-caption aligncenter"><a href="http://metabunker.dk/?attachment_id=5470" rel="attachment wp-att-5470"><img fetchpriority="high" decoding="async" aria-describedby="caption-attachment-5470" src="http://metabunker.dk/wp-content/uploads/SeriousLiterature-500x705.jpg" alt="" title="SeriousLiterature" width="500" height="705" class="size-medium wp-image-5470" srcset="https://metabunker.dk/wp-content/uploads/SeriousLiterature-500x705.jpg 500w, https://metabunker.dk/wp-content/uploads/SeriousLiterature.jpg 571w" sizes="(max-width: 500px) 100vw, 500px" /></a><p id="caption-attachment-5470" class="wp-caption-text">Michael Kupperman on the issue at hand</p></div><br />
In the latest <a target="new" href="http://hoodedutilitarian.com/2013/03/dwyck-whats-the-story/">instalment </a>of my irregular column at the Hooded Utilitarian I present a late entry in the debate kicked off last month by Eddie Campbell, with his essay for <em>The Comics Journal</em>, <a target="new" href="http://www.tcj.com/the-literaries/">&#8220;The Literaries&#8221;.</a> In his essay, Campbell took issue with the insistence by some critics not just of comparing the achievements of comics with those of other art forms, but also what he saw as an unfortunate, concomitant tendency to understand comics by the logic of other media, especially literature. </p>
<p>It should come as no surprise that I&#8217;m sympathetic at least to the second part, having long thought that the visual aspects of comics tend to get short shrift in serious comics criticism. So&#8230; well, do pop over and take a look at <a target="new" href="http://hoodedutilitarian.com/2013/03/dwyck-whats-the-story/">my column.</a> And do comment &#8212; it&#8217;s a difficult issue and one that needs more thought, so I would love to hear what you think.</p>
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			<slash:comments>4</slash:comments>
		
		
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		<title>Degas and Comics at Hooded Utilitarian</title>
		<link>https://metabunker.dk/2012/08/01/degas-and-comics-at-hooded-utilitarian/</link>
		
		<dc:creator><![CDATA[Matthias Wivel]]></dc:creator>
		<pubDate>Wed, 01 Aug 2012 13:05:50 +0000</pubDate>
				<category><![CDATA[comics and cartooning]]></category>
		<category><![CDATA[hype & linkage]]></category>
		<category><![CDATA[pictorial arts]]></category>
		<category><![CDATA[DWYCK]]></category>
		<category><![CDATA[Edgar Degas]]></category>
		<category><![CDATA[Hooded Utilitarian]]></category>
		<guid isPermaLink="false">http://metabunker.dk/?p=4680</guid>

					<description><![CDATA[I know, it&#8217;s been ages, but I&#8217;ve finally written a new installment of my column DWYCK over at The Hooded Utilitarian. This time, I draw upon the great Degas exhibition at the Royal Academy last year to discuss the artist&#8217;s inquiry into time, space, and movement and its relation to comics. Go, read. Above: Edgar&#8230;]]></description>
										<content:encoded><![CDATA[<p><a href="http://metabunker.dk/?attachment_id=4681" rel="attachment wp-att-4681"><img decoding="async" src="http://metabunker.dk/wp-content/uploads/grande_arabesque_1_2_3-500x195.jpg" alt="" title="grande_arabesque_1_2_3" width="500" height="195" class="aligncenter size-medium wp-image-4681" srcset="https://metabunker.dk/wp-content/uploads/grande_arabesque_1_2_3-500x195.jpg 500w, https://metabunker.dk/wp-content/uploads/grande_arabesque_1_2_3-1024x399.jpg 1024w, https://metabunker.dk/wp-content/uploads/grande_arabesque_1_2_3.jpg 1506w" sizes="(max-width: 500px) 100vw, 500px" /></a><br />
I know, it&#8217;s been ages, but I&#8217;ve finally written a new installment of my column <a target="new" href="http://hoodedutilitarian.com/2012/08/dwyck-tempus-fugit-degas-comics/">DWYCK </a>over at The Hooded Utilitarian. This time, I draw upon the great Degas exhibition at the Royal Academy last year to discuss the artist&#8217;s inquiry into time, space, and movement and its relation to comics. Go, read.</p>
<p><em>Above: Edgar Degas, </em>Grande arabesque, Time One, Two, Three<em>, c. 1880-85.</em></p>
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		<title>Open Sesame. Habibi and its Critics</title>
		<link>https://metabunker.dk/2011/12/20/open-sesame-habibi-and-its-critics/</link>
		
		<dc:creator><![CDATA[Matthias Wivel]]></dc:creator>
		<pubDate>Tue, 20 Dec 2011 21:52:42 +0000</pubDate>
				<category><![CDATA[comics and cartooning]]></category>
		<category><![CDATA[hype & linkage]]></category>
		<category><![CDATA[Craig Thompson]]></category>
		<category><![CDATA[DWYCK]]></category>
		<category><![CDATA[Habibi]]></category>
		<category><![CDATA[Hooded Utilitarian]]></category>
		<guid isPermaLink="false">http://metabunker.dk/?p=3906</guid>

					<description><![CDATA[I used to write a regular column at Hooded Utilitarian called DWYCK. Then stuff happened. And the column didn&#8217;t happen, for way too long. But now I&#8217;m back! Er, at least for the moment. No, I&#8217;ll really make an effort! Anyway, the essay I have up now is on Craig Thompson&#8217;s remarkable new comic Habibi&#8230;]]></description>
										<content:encoded><![CDATA[<p><a href="http://metabunker.dk/?attachment_id=3907" rel="attachment wp-att-3907"><img decoding="async" src="http://metabunker.dk/wp-content/uploads/habibi_door-500x711.jpg" alt="" title="habibi_door" width="500" height="711" class="aligncenter size-medium wp-image-3907" srcset="https://metabunker.dk/wp-content/uploads/habibi_door-500x711.jpg 500w, https://metabunker.dk/wp-content/uploads/habibi_door-719x1024.jpg 719w, https://metabunker.dk/wp-content/uploads/habibi_door.jpg 843w" sizes="(max-width: 500px) 100vw, 500px" /></a><br />
I used to write a regular column at Hooded Utilitarian called DWYCK. Then stuff happened. And the column didn&#8217;t happen, for way too long. But now I&#8217;m back! Er, at least for the moment. No, I&#8217;ll really make an effort!</p>
<p>Anyway, the essay I have up now is on Craig Thompson&#8217;s remarkable new comic <em>Habibi </em>and on its discouraging reception by comics critics. I touch upon several of what I perceive to be key issues in the criticism and analysis of comics and hope it will stimulate some discussion. <a target="new" href="http://hoodedutilitarian.com/2011/12/dwyck-open-sesame/">Go, read.</a></p>
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