This week, the Museo del Prado in Madrid opened their exhibitions Passiones Mitológicas, or Mythological Passions. The show is their version of the exhibition I helmed at the National Gallery, which gathers for the first time since the sixteenth century Titian’s six mytholgical paintings, so-called poesie, originally painted for the Spanish king Philip II between around 1551 and 1562.

The show at the Prado is a kind of homecoming for these masterworks, a return to the royal Spanish collection to which they belonged and in which they became a cornerstone, influencing generations of artists. The Prado is therefore uniquely positioned to tell a broader story of the development of European painting in the early modern era and Titian’s crucial role in it. They have also taken the opportunity to tell the story of the development of secular, mythological genres of painting in the sixteenth and seventeenth centuries, as kind of liberating format that encouraged experimentation.

It is of course incredibly difficult to travel at the moment, but if you’re in Madrid this exhibition is a rare treat, showing as it does the great poesie with masterworks by Veronese, Velázquez, Poussin, Rubens, Ribera and others. It is on until 4 July, so I for one am hoping for a summer visit! In the meantime, I believe they will be offering a virtual tour.