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	<title>Brepols &#8211; the metabunker</title>
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	<description>by matthias wivel &#38; friends</description>
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		<title>The Compass and the Mirror in Rome!</title>
		<link>https://metabunker.dk/2022/10/05/the-compass-and-the-mirror-in-rome/</link>
		
		<dc:creator><![CDATA[Matthias Wivel]]></dc:creator>
		<pubDate>Wed, 05 Oct 2022 11:39:38 +0000</pubDate>
				<category><![CDATA[culture]]></category>
		<category><![CDATA[hype & linkage]]></category>
		<category><![CDATA[pictorial arts]]></category>
		<category><![CDATA[Accademia di San Lucca]]></category>
		<category><![CDATA[Alessandro Zuccari]]></category>
		<category><![CDATA[Brepols]]></category>
		<category><![CDATA[Cecilia Frosinini]]></category>
		<category><![CDATA[Michelangelo]]></category>
		<category><![CDATA[Rome]]></category>
		<category><![CDATA[Sebastiano del Piombo]]></category>
		<guid isPermaLink="false">http://metabunker.dk/?p=8984</guid>

					<description><![CDATA[Last week I had the pleasure of attending the book presentation at the Accademia di San Luca in Rome of The Compass and the Mirror &#8211; Sebastiano del Piombo and Michelangelo that I have edited and contributed to. Based on research conducted and insights gained during the 2017 exhibition Michelangelo &#38; Sebastiano that I organised&#8230;]]></description>
										<content:encoded><![CDATA[<p style="text-align: justify;"><iframe title="YouTube video player" src="https://www.youtube.com/embed/AdSWdYWxYlg" width="500" height="281" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p style="text-align: justify;">
Last week I had the pleasure of attending the book presentation at the Accademia di San Luca in Rome of <em>The Compass and the Mirror &#8211; Sebastiano del Piombo and Michelangelo</em> that I have edited and contributed to. Based on research conducted and insights gained during the <a href="https://www.nationalgallery.org.uk/exhibitions/past/the-credit-suisse-exhibition-michelangelo-sebastiano" target="new" rel="noopener">2017 exhibition Michelangelo &amp; Sebastiano</a> that <a href="http://metabunker.dk/?p=6901" target="new" rel="noopener">I organised at the National Gallery</a>, the book presents a wide variety of new research on the two artists and the context of their collaboration. <a href="https://www.brepols.net/products/IS-9782503580265-1" target="new" rel="noopener">It is published by Brepols</a> and <a href="http://metabunker.dk/?p=8719" target="new" rel="noopener">you can read more here.</a></p>
<p style="text-align: justify;">It was a real privilege to be able to organise a book presentation of this sort and to hear the critiques of my esteemed colleagues Professor Alessandro Zuccari of the Sapienze University of Rome and Cecilia Frosinini, faculty member at the Opificio delle Pietre Dure in Florence. Both had pointed and important remarks that I will take forward in future work. You can see the entire presentation above, but note that the two respondents speak in Italian and only I, out of necessity, respond in English at the end.</p>
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		<item>
		<title>New Book out!</title>
		<link>https://metabunker.dk/2022/02/07/new-book-out/</link>
		
		<dc:creator><![CDATA[Matthias Wivel]]></dc:creator>
		<pubDate>Mon, 07 Feb 2022 11:20:34 +0000</pubDate>
				<category><![CDATA[culture]]></category>
		<category><![CDATA[hype & linkage]]></category>
		<category><![CDATA[pictorial arts]]></category>
		<category><![CDATA[Brepols]]></category>
		<category><![CDATA[Michelangelo]]></category>
		<category><![CDATA[Sebastiano del Piombo]]></category>
		<category><![CDATA[The National Gallery]]></category>
		<guid isPermaLink="false">http://metabunker.dk/?p=8719</guid>

					<description><![CDATA[I have a new book out! Several years in the making, The Compass and the Mirror &#8212; Sebastiano del Piombo and Michelangelo is an anthology of scholary articles on the two great artists and their collaboration and relationship between 1511 and 1547. Inspired by the exhibition Michelangelo &#038; Sebastiano that I curated at the National&#8230;]]></description>
										<content:encoded><![CDATA[<p><a href="http://metabunker.dk/?attachment_id=8720" rel="attachment wp-att-8720"><img fetchpriority="high" decoding="async" src="http://metabunker.dk/wp-content/uploads/MS_cover-500x696.jpg" alt="" title="MS_cover" width="500" height="696" class="alignleft size-medium wp-image-8720" srcset="https://metabunker.dk/wp-content/uploads/MS_cover-500x696.jpg 500w, https://metabunker.dk/wp-content/uploads/MS_cover-735x1024.jpg 735w, https://metabunker.dk/wp-content/uploads/MS_cover.jpg 837w" sizes="(max-width: 500px) 100vw, 500px" /></a><br />
I have a new book out! Several years in the making, <em>The Compass and the Mirror &#8212; Sebastiano del Piombo and Michelangelo</em> is an anthology of scholary articles on the two great artists and their collaboration and relationship between 1511 and 1547. Inspired by the exhibition <a target="new" href="https://www.nationalgallery.org.uk/exhibitions/past/the-credit-suisse-exhibition-michelangelo-sebastiano">Michelangelo &#038; Sebastiano</a> that <a href="http://metabunker.dk/?p=6901">I curated at the National Gallery in 2017</a>, it gathers a to my mind stellar group of scholars, conservators and scientists in what I hope will be a standard reference volume for anyone researching the field in the years to come. Published by Brepols, you can find more information, including how to order, on their website. Here is the table of contents:<span id="more-8719"></span></p>
<p>Matthias Wivel â€” <em>The Compass and the Mirror</em></p>
<p>Elena Calvillo â€” <em>Friendship, Medium and the Diverging Lives of Sebastiano del Piombo and Michelangelo</em> </p>
<p>Piers Baker-Bates â€” <em>Copies and Versions in Sebastiano&#8217;s Art? The</em> Christ Carrying the Cross</p>
<p>Sheryl E. Reiss â€” <em>A Word Portrait of a Medici Maecenas: Giulio de&#8217; Medici (Pope Clement VII) as Patron of Art<br />
</em><br />
Arnold Nesselrath â€” <em>Raphael: Of Heirs and Pretenders<br />
</em><br />
Matthias Wivel and Rachel Billinge â€” <em>Sebastiano&#8217;s Vich Triptych</em></p>
<p>Carlo Piga â€” <em>Da Michelangelo a Sebastiano: antiche suggestioni e moderne invenzioni nel ciclo decorativo della Cappella Borgherini in San Pietro in Montorio a Roma</em></p>
<p>Stefania Pasti â€” <em>Aperietur in tempore: Sebastiano del Piombo and the Borgherini Chapel in the Light of Prophetic Readings</em></p>
<p>Paul Joannides â€” <em>A New Drawing by Sebastiano del Piombo for the Semi-Dome of the Borgherini Chapel</em></p>
<p>Costanza Barbieri â€” <em>Sebastiano as Portraitist and a Case Study: The </em>Portrait of Michelangelo Pointing to His Drawings</p>
<p>Oriana Sartiani â€” <em>A</em> Portrait of Michelangelo <em>Attributed to Sebastiano del Piombo: Technical Examination, Discoveries, and Treatment</em></p>
<p>Simonetta Antellini â€” <em>L&#8217;originalitÃ  compositiva della</em> Nascita della Vergine<em> di Sebastiano del Piombo</em></p>
<p>Daniela Luzi â€” <em>&#8216;Il bel secreto&#8217;: La pittura sperimentale sulla pietra di Sebastiano nella Cappella Chigi<br />
</em><br />
Morten Steen Hansen â€” <em>The Readings of Angels: Sebastiano del Piombo and the Politics of the Immaculate Conception</em></p>
<p>Andrea Donati â€” <em>Marcello Venusti, Michelangelo and the Legacy of Sebastiano del Piombo</em></p>
<p>Charles Robertson â€” <em>Michelangelo&#8217;s </em>Last Judgement<em>: Sebastiano del Piombo&#8217;s Contribution</em></p>
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