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	<title>Art in Print &#8211; the metabunker</title>
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	<description>by matthias wivel &#38; friends</description>
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		<title>Titian&#8217;s shitting dog</title>
		<link>https://metabunker.dk/2019/05/29/titians-shitting-dog/</link>
		
		<dc:creator><![CDATA[Matthias Wivel]]></dc:creator>
		<pubDate>Wed, 29 May 2019 16:20:49 +0000</pubDate>
				<category><![CDATA[comics and cartooning]]></category>
		<category><![CDATA[commentary and criticism]]></category>
		<category><![CDATA[hype & linkage]]></category>
		<category><![CDATA[pictorial arts]]></category>
		<category><![CDATA[Art in Print]]></category>
		<category><![CDATA[Titian]]></category>
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					<description><![CDATA[That got your attention, I hope? Yes, Titian drew a shitting dog, which he inserted into one of the most monumental compositions of his early years, the twelve-block woodcut of the Submersion of Pharaoh&#8217;s Army in the Red Sea (c. 1517), right next to the figure of Moses! (detail above) In the latest issue of&#8230;]]></description>
										<content:encoded><![CDATA[<p><a href="http://metabunker.dk/?attachment_id=7674" rel="attachment wp-att-7674"><img fetchpriority="high" decoding="async" src="http://metabunker.dk/wp-content/uploads/NGA_RedSea_Moses_Dog-500x447.jpg" alt="" title="NGA_RedSea_Moses_Dog" width="500" height="447" class="aligncenter size-medium wp-image-7674" srcset="https://metabunker.dk/wp-content/uploads/NGA_RedSea_Moses_Dog-500x447.jpg 500w, https://metabunker.dk/wp-content/uploads/NGA_RedSea_Moses_Dog.jpg 825w" sizes="(max-width: 500px) 100vw, 500px" /></a><br />
That got your attention, I hope? Yes, Titian drew a shitting dog, which he inserted into one of the most monumental compositions of his early years, the twelve-block woodcut of the <em>Submersion of Pharaoh&#8217;s Army in the Red Sea</em> (c. 1517), right next to the figure of Moses! (detail above) In the latest issue of <em>Art in Print</em>, I examine the meaning and sources of this coarse insertion into what on first sight seems a grad and heroic composition, but &#8212; while it is certainly that &#8212; upon further inspection is inflected with a realism that is almost unprecedented in Venetian Renaissance art, informed as it must be by Titian&#8217;s possibly traumatic experiences of war during the struggle of Venice against the powerful League of Cambrai. Read more at your local art library or, if you&#8217;re a subscriber or would like to become one, online right <a target="new" href="https://artinprint.org/article/of-dogs-and-men-titian-and-the-print-vernacular/">here.</a></p>
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