Så er vi tilbage med en omgang tegneserieanalyse, optaget live foran publikum på nys overståede Copenhagen Comics. Denne gang havde vi sat Peter Madsen og Karoline Stjernfelt i stævne og vi fik snakket om Hergés Tintin, Lanzac og Blains Javel, Hr Udenrigmin(i)ster, Bill Sienkiewicz og Martin I Greens Voodoo Child og Tatsuki Fujimotos Chainsaw Man.…
My latest column at The Comics Journal is an extensive examination of Belgian artist and comics maker Dominique Goblet’s work over the last ten years and how she has made collaboration an essential part of her practice. Here’s an excerpt from the lead-in: …Dominique Goblet is intensely concerned with life as lived by others, and…
As usual Saturday brought the crowds to Angoulême. It is difficult to get around, but it brings to the festival a heady atmosphere of art and commerce. Even the Association staff decided today partly to suspend their ongoing strike in order to support their artists who had turned up to sign their books. Killoffer, Gerner,…
Arrived in Angoulême fairly late the afternoon yesterday, so last night was spent mostly catching up. As mentioned in several places already, the big story here is the ongoing strike at L’Association (I’ve been writing about it here and here). Their booth, which is placed at the head of the big so-called Noveau monde tent…
This is part of a Metabunker series celebrating a great decade in comics with Rackham by reprinting select reviews of the decades’ best comics from the Rackham archive, along with a number of new pieces. Dominique Goblet depicts her father as a late medieval Madonna, nurturing his child, right hand in blessing. Drawn on disparate,…