Dansk Tegneserieråd stiftet

comics and cartooning, journal

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Aftenens stiftende generalforsamling i Dansk Tegneserieråd var en stor succes. Med et fremmøde på ca. 70 mennesker og — forstår jeg, der desværre ikke var til stede — rigtig god stemning, kom Rådet godt fra start. Den valgte bestyrelse ser sådan ud:

Formand: Thomas Thorhauge
Bestyrelsesmedlemmer: Marianne Eskebæk Larsen, Allan Haverholm, Paw Mathiasen (kasserer), Steffen P. Maarup, Carsten Søndergaard, Matthias Wivel
Suppleanter: Mads Bluhm, Ulf Reese Næsborg
Revisor: Anders Hjorth-Jørgensen
Revisorsuppleant: Rikke Platz Cortsen

Den nyvalgte formand var i DR2 Deadline samme aften, udsendelsen skulle være til at fange her fra en gang i løbet af fredagen. Derudover var der bred dækning af Rådet hele dagen, fra P3 Morgen (med undertegnede) og P2 Kulturnyt (med Steffen Maarup), til forsiden af Politikens kultursektion, der bragte en artikel om danske tegneserieforlæggere og en kort gennemgang af mediets udgivelseshistorie i Danmark siden albummets fremkomst i 70erne.

I det hele taget er nyheden om Rådet blevet modtaget overvældende positivt. Vi har allerede fået en del lovende tilkendegivelser, både fra tegneseriemiljøet og udefra, så vi ser spændende muligheder på horisonten. Nu skal der arbejdes for sagen!

Illustration af T. Thorhauge til Politikens artikel om danske forlæggere. Kan du se, hvem der er hvem? Svaret kan læses her.

Dansk Tegneserieråd stiftes i dag!

comics and cartooning, hype & linkage, journal

Så er det i aften, at den stiftende generalforsamling i Dansk Tegneserieråd finder sted. Der skal vælges en formand, en bestyrelse og en revisor og der skal diskuteres fremtidsplaner. Kom, meld dig ind og vær med fra starten!

Dansk Tegneserieråds hjemmeside har en liste over kandidaterne til bestyrelsesposterne. Klik ind på ‘Arbejdsgruppen’ og kig efter dem, der er markeret med små asterixer.

Kl. 19.00
Den Gule Villa
Dirch Passers Allé 2
2000 Frederiksberg [se på kort].

Vel mødt!

Kristoffer Mogensen er død

comics and cartooning, film, tv, video, journal

kristoffermogensen.jpgDet er med stor sorg, at Metabunkerens redaktion erfarer, at den mangeårige tegneserie- og populærkulturformidler, samt tegneserieforfatter, Kristoffer Mogensen er død. Jeg selv mødte ham desværre kun en enkelt eller to gange, men husker ham som et ualmindeligt venligt og imødekommende menneske.

Han var måske den første person jeg ikke kendte, som viste interesse for Rackham, da jeg troppede op til en Fahrenheit-reception med et snoldet fejltryk af første nummer engang i tidernes morgen. Han nævnte det sågar i Troldspejlet, hvor han redigerede tegneseriestoffet, for hvilket jeg altid har været meget taknemmelig. Det er naturligvis kun en mindre handling blandt mange andre og mere vægtige i et aktiv liv, men ikke desto mindre en, der forekom mig emblematisk for Kristoffer Mogensen.

Hvil i fred.

Andre har kendt ham langt bedre. Seriejournalen har samlet mindeord fra Per Sanderhage og Jacob Stegelmann.

Almost Colossus

comics and cartooning, commentary and criticism

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Kramers Ergot 7 is a product of colossal ambition, it is of colossal size and it was published to colossal expectations. Is it any surprise that the result is less than colossal?

There is no doubt that this is a rare achievement in comics production, and it is certainly also a high-quality anthology containing some great comics, but editor Sammy Harkham and the stellar line up of cartoonists invited to contribute have set the bar so high in their previous work that much of what they offer here nevertheless fails to reach the high water mark of contemporary comics that the book could have been.

In addition to many of the artists who contributed to earlier issues of the anthology and helped make Kramers the statement in contemporary comics art it has been, Harkham this time around invited some of the heavy-hitters of past generations: Ivan Brunetti, Dan Clowes, Kim Deitch, Matt Groening, Jaime Hernandez, Ben Katchor, Seth, Adrian Tomine and Chris Ware. In contrast to earlier such “guest appearances”—Ware, for example, seemed conspicuously out of place in KE5—the uniqueness of the present project and the sheer number of very different cartoonists contributing overrides any concerns one might otherwise have had about artistic dissonance. Actually, the book’s sheer eclecticism is a strength in that it adds to the feeling that this could potentially be a kind of Pioneer Plaque—or an Ark, as Tom Gauld would have us imagine with his gorgeous contribution—of early 21st-century comics, one day to bring four-coloured fun to Morlocks.

Harkham exhibits what seems like self-ironic awareness of this with his front cover. It depicts the Fairfax, LA street in which he and his brothers run a book store, Family Books, evidently decorated by Ron Regé. Only, the setting is post-apocalyptic. Nature has reclaimed the streets, shared in harmony between mostly herbivorous animals and nude women. It is night, but a new day is dawning. Water runs from the broken storefront, puddling around a discarded comic book.

Picks of the Week

comics and cartooning, hype & linkage, pictorial arts

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The picks of the week from around the web.

  • Times Literary Supplement: Shakespeare (Unfound(ed)? Katherine Duncan Jones offers a strongly argued dismissal of the recently publicised alleged portrait of Shakespeare.
  • London Review of Books: “Is it Art?” Great article on video games as art by John Lanchester.
  • François Ayroles: Nouveaux moments clés de l’histoire de la Bande Dessinée Brilliant, and hilarious, illustrations of a number of key moments in both North American and French comics of the last couple of decades. (Thanks, Dirk).
  • Savage Critics: “The Politics of Smurfing”. Joe McCulloh on what is arguably the best of the Smurf stories, the classic King Smurf — or Le Schtroumpfissime — by Peyo and Yvan Delporte. Read this especially if you are unaware of the Smurf comics and how great they are.
  • Daily Crosshatch: MOMEntum address by Eric Reynolds. This is a bit old, but what the heck, it’s good: the head of marketing and publicity at Fantagraphics and co-editor of the Mome anthology offers his considerable insights on the development of the market for alternative comics.

    • Pre-Hype: From Wonderland with Love

    comics and cartooning, hype & linkage

    fromwonderland.jpgThis August, Danish art comics publisher Steffen P. Maarup will be publishing an anthology featuring the cream of Danish comics in a collaboration between his publishing house Aben Maler and leading American art comics publisher Fantagraphics!

    The anthology, From Wonderland with Love — Danish Comics in the Third Millenium, will feature short works of 19 Danish cartoonists: Zven Balslev, Vibe Bredal, Simon Bukhave, Allan Haverholm, HuskMitNavn, Peter Kielland, Ib Kjeldsmark, Johan F. Krarup, G. R. Mantard, Søren Mosdal & Jacob Ørsted, Julie Nord, Signe Parkins, Mårdøn Smet, Jan Solheim & Maria Isenbecker, T. Thorhauge, Nikoline Werdelin and Christoffer Zieler.

    That’s a lot of talent for one book! The cover, by the way, is by the Bunker’s very own T. Thorhauge.

    The book will debut at the MoCCA Arts Festival (June 6-7) this summer, and several of the contributors will be present. It will be in bookstores in August.

    What’s Wrong with this Picture?

    commentary and criticism, letters, pictorial arts

    shakespeare_portrait.jpgIt seems to be the season for the discovery of sensational portraits. A few days ago The Shakespeare Birthplace Trust announced having found an authentic, contemporary portrait of none less than Shakespeare himself. Its persuasive provenance and resemblance to a number of portraits, most presumably copied from lost pictures, that carry traditional identifications to Shakespeare, has convinced the Trust’s Chairman, the distinguished Shakespeare scholar Stanley Wells that it is almost certainly the only authentic image of Shakespeare made from life.

    shakespeare_portait_cobbe.jpgThe attractive portrait belongs to the Cobbe family and has called Newbridge House, outside Dublin, its home for centuries. It was supposedly painted around 1610 when Shakespeare was 46 years old. As mentioned, several pictures assumed to be copies of lost paintings from that time, most notably a panel in the Folger Shakespeare Library in Washington DC, carry traditions identifying their sitter as Shakespeare dating back within living memory of his life. Equally important to its pedigree is it provenance, which can apparently be traced with reasonable certainty to Shakespeare’s only literary patron, Henry Wriothesley, the 3rd Earl of Southampton. All of this is very convincing.

    Not having seen the picture in the flesh and not being an expert on either Shakespeare or 17th-century portraiture in Britain, my opinion carries little weight, but I would nevertheless advise caution here.

    Tegneserien får officielt råd

    comics and cartooning, hype & linkage

    Det er med glæde, at undertegnede nu kan bringe følgende pressemeddelelse:

    Aldrig tidligere har der på verdensplan været skabt og udgivet så mange spændende, vidtfavnende, vitale og iøjnefaldende tegneserier som nu. Tegneserien oplever en veritabel guldalder. Alligevel står tegneserien svagt i Danmark blandt kritikere, boghandlere, tegneserieskabere, forlag, læsere og myndigheder, og hvad der engang var et massemedie er nu en marginaliseret kunstart. Derfor har en gruppe af danskere, som beskæftiger sig med tegneserier, besluttet at stifte et nationalt råd, der kan højne opmærksomheden på mediet, som fx Det Danske Akademi gør det for litteraturen, eller Seriefrämjandet gør det for tegneserier i Sverige.

    Dansk Tegneserieråd stiftes 26. marts 2009

    Dansk Tegneserieråd vil arbejde for:

  • At højne både den almene og den specialiserede viden om tegneserier, og således styrke både formidling af og forskning i tegneserier
  • At bidrage konstruktivt til skabelsen af, vilkårene for og alsidigheden af danske tegneserier og danske tegneserieudgivelser, samt tilgængeligheden af udenlandske tegneserier i Danmark gennem bl.a. publikationer og udstillinger
  • At skabe kontakt mellem og fungere som fælles forum for alle med privat såvel som professionel interesse i tegneserier
  • At samarbejde både nationalt og internationalt med organisationer og institutioner, der beskæftiger sig med tegneserier og relaterede medier/kunstformer

    • Vi ønsker bl.a. at fokusere på fraværet af en egentlig tegneserieskaber-uddannelse og det forhold, at landets eneste tegneseriemuseum er henvist til 20 m2 en måned om året. Vi ønsker at diskutere, hvorfor danske boghandlere ikke som fx franske, amerikanske og japanske boghandlere har et repræsentativt udvalg af aktuelle tegneserieudgivelser. Og vi ønsker at undersøge, om de forskellige mediers holdning til tegneseriestof er præget af antikverede forestillinger.

    Stiftende generalforsamling i Dansk Tegneserieråd finder sted:
    Torsdag 26. marts 2009 kl. 19.00 i Den Gule Villa
    Dirch Passers Allé 2
    2000 Frederiksberg [se på kort]
    Alle er velkomne

    Yderligere information:

    www.dansktegneserieraad.dk

    Den komplette pressemeddelelse kan downloades her (PDF)

    Funking Up Watchmen

    comics and cartooning, commentary and criticism, film, tv, video

    watchmen_niteowl.jpg
    The first thing I remember hearing director Zack Snyder say about his film version of Watchmen — at that time still in the works — was that that they were going to change the Nite Owl character’s costume to make it ‘cooler.’ That seemed to me pretty much to say all about his take on Alan Moore and Dave Gibbons’ comics masterpiece (1986-87).

    Nite Owl as he appears in the comic is meant to be a geeky superhero, slightly overweight and way out of touch with any concept of ‘cool,’ but apparently the director did not regard this concept as fully workable for his purposes. Having now seen the film, this prejudice has been largely confirmed. This is a ‘cool’ take on Watchmen, almost entirely superficial, although I hasten to add that it thankfully is not the disaster one might have feared.