I aften: Grænseoverskridende tegninger

Så er det i aften at den store paneldebat om grænseoverskridende tegninger, arrangeret af Dansk Tegneserieråd, finder sted på Københavns Universitet. Tag derud eller følg det pr. livestream her. Det starter kl. 19.00.

Derudover snakker Dansk Tegneserieråds formand, og ordstyrer ved debatten, Thomas Thorhauge, om emnet på P1 her til morgen kl. 6.40.

Tegning af Erik Petri. Copyright Gyldendal, Blæksprutten 2010.

Nordic Comics in the Expanded Field

Tomorrow, I’m off to Finland for the Helsinki Book Fair, where there will be a substantial comics presence. Making up for missing the recent Helsinki Comics Festival, I’m looking forward to meeting the Finnish cartoonists present, as well as to see the apparently substantial contingent of international authors, primarily Scandinavian, who will be converging there, smack in the midst of one of the most interesting comics scenes right now.

I wrote the following piece for the book fair comics paper, published by the Finnish Comics Society. More when I get back.

Comics right now are in a heightened state of evolutionary flux, headily promising great things as they go off in a multitude of previously unexplored directions. A century-and-a-half as a popular, patently lowbrow mass medium saw them define and refine a pictorial language by now built in to our visual culture, but it also restricted their expressive field to a handful of genres and circumscribed rather narrowly their visual vocabulary. Although this pattern has been challenged consistently since at least the sixties, it is only in the last decade-and-a-half or so that a kind of critical mass has been reached. An expanded field is opening for the art form.

Comics of the Decade: David B’s L’Ascension du haut mal (Epileptic)

This is part of a Metabunker series celebrating a great decade in comics with Rackham by reprinting select reviews of the decades’ best comics from the Rackham archive, along with a number of new pieces.

On the first page of the story we meet the author and his brother. The former is visiting his parents; it is night and he is brushing his teeth. Suddenly a stranger steps into the bathroom. It is his brother. A moment passes before he recognizes him. It has been a long time since he has seen him in this state of undress. The big lug has lost his front teeth and most of his hair. Lack of exercise and strong medication has rendered him obese and his body is badly scarred—one senses the odour of sweat about him. His stare is vacant, his memory almost gone; he only speaks with great effort, in broken sentences. Uneasily, the author leaves his brother and wishes him good night.

Caravaggio to diminishing returns

I was in Florence for a couple of days last week to see the two big art shows they have on at the moment — the Bronzino exhibition at the Palazzo Strozzi and the Caravaggio and Carravaggeschi show, which covers three venues (Uffizi, Palazzo Pitti and the Villa Bardini) and closes next Sunday. I’ll write more about the magnificent exhibition at the Strozzi presently, but just wanted to say a few words about the ‘Caravaggio’ show.

I knew it wasn’t going to include much work by the master himself — the blockbuster exhibition in Rome earlier this year pretty much ruled that out — and was actually thrilled about its focus on the astonishingly pervasive influence he asserted all over Europe, during his lifetime and especially after his death. The problem, really, was that when you introduce an exhibition with the nine masterpieces by Caravaggio held in Florentine collections, and then follow them up with imitators, you have to work hard not to engender diminishing returns.

Picks of the Week


The picks of the week from around the web.

  • BBC’s “A History of the World in a Hundred Objects”. For those residing outside Britain, you might be unaware of this brilliant radio programme, in which British Museum director Neil McGregor pieces together a history of human civilisation from individual pieces in the museum’s collection, presented in 15-minute installments, each featuring almost invariably well-informed guests. Beyond the impressive feat of routinely evoking an object the audience cannot see (well, you can see them online), this is simply great radio.
  • James Campbell on Jonathan Franzen’s Freedom. I suspect Campbell senses a lot of what’s wrong with contemporary literature right here. Incisive and entertaining.
  • An interview with Bill Gaines. This 1983 Comics Journal interview with the EC comics publisher, conducted by Dwight R. Decker, Gary Groth and Peppy White, is not only a great historical document, but a fantastic read.
  • The Hooded Utilitarian goes archival. The comics blog to which I occasionally contribute has added a new feature: the representation of academic and critical texts of note for the internet audience. Fabrice Neaud’s late 90s review of Aristophane’s Conte Démoniaque is a great example of what comics criticism can be, while Andrei Molotiu’s 2006/2007 essay on the aesthetics of original comic art is a fine scholarly analysis.
  • Image: Ain Sakri Lovers figurine, found near Bethlehem. More here.

    Public roundtable debate on transgressive cartooning and freedom of speech in Copenhagen


    We on the Danish Comics Council board are very proud to present a big roundtable debate on the number one hot button topic, and arguably the most significant one, when it comes to cartooning these days: issues of transgression and freedom of speech.

    As mentioned here recently, there’s currently a fairly heated debate on drawn child pornography going in Denmark, with a number of political parties proposing restricting legislation. And at the same time, the ghost of the Mohammad cartoons is still very much alive.

    The debate will focus on both these particular cases and related issues. It features a number of the highest profile public commentators on the issues in question, as well as a couple of politicians actively engaged in jurisdiction around these issues, plus of course a couple of cartoonists.

    It will take place on 2 November at the Faculty of the Humanities, the University of Copenhagen 7-9 pm. Free entry.

    Above is the flyer, in Danish obviously.