Raphael’s Portrait of Lorenzo de’Medici: A Case of Visual vs. Documentary Evidence
The portrait of Lorenzo de’Medici, Duke of Urbino (1492-1519), coming up for sale at Christie’s on the 5th of July is an interesting case study in the perpetual problem in art history of reconciling visual and textual evidence. I have just visited Christie’s in London and examined the painting. It is obviously a severely damaged, extensively restored painting, but it is still quite beautiful. To me it looks like it was substantially painted by Raphael himself, but things are unfortunately not so easy.