Matthias Wivel is the administrator of the Metabunker. He is the Curator of Sixteenth-Century Italian Paintings at The National Gallery in London and a co-founder and the current chairman of the Danish Comics Council.
I denne uges udgave af Weekendavisen står min artikel om Jack Kirby, skrevet i anledning af 100-året for hans fødsel, at laese. Køb eller lån avisen for jeres Kirbyfix og klik videre hertil for mere om Kirby i Bunkeren. Billede fra Devil Dinosaur #4 (1974), af Jack Kirby og Mike Royer.
Here’s my contribution to Paul Gravett’s annual review of international comics: the best Danish comics of 2015, in my opinion. A bit of a fallow year, but the ones that were good, were really good. Here they are: Hvad føler du lige nu? (‘What are you feeling right now?’) by Philip Ytournel Aben maler Ytournel…
With the Michelangelo and Sebastiano exhibition closed at National Gallery we are privileged to hold on to Michelangelo’s marble Taddei Tondo from the Royal Academy until the end of January, while they complete the bicentennial refurbishment. This has given us the opportunity to show the sculpture along with a number of paintings from our collection…
Today, Jack Kirby, one of the great artists of the twentieth century and a visionary of the comics form, would have turned 100. For those unfamiliar with this extraordinary person and artist, or merely wanting to brush up, here’s a good primer and here is the touching and informative reminiscence by Kirby’s friend and erstwhile…
I dagens udgave af Weekendavisen anmelder jeg den store — og fantastiske! — udstilling af Rafael-tegninger på The Ashmolean Museum i Oxford (til 3 september) og gør mig nogle tanker om hvad Rafaels tegninger fortæller os om hans særlige geni — et, der har gjort ham til det nok bedste bud på den vestlige traditions…
I denne weekends Moderne Tider-tillæg i Information står min anmeldelse af den særlige Trump-opsamling af G.B. Trudeaus Doonesbury at læse. Jeg gør mig i den forbindelse nogle tanker om det at satirisere Trump — noget, der tydeligvis ikke er så nemt som man skulle tro. Hermed en smagsprøve: Det bliver taget for givet, at Trump…
Information har endelig trykt en anmeldelse jeg skrev for flere måneder siden, om hvorledes flygtningekrisen og immigrationsspørgsmål mere generelt er begyndt at vise sig, rent tematisk, i danske tegneserier, her konkret antologien Uledsaget, der rummer bidrag af Lars Horneman, Tom Kristensen, Adam O., Halfdan Pisket, Karoline Stjernfelt, baseret på fem uledsagede flygtningedrenges historier; Morten Dürr…
Over at The Comics Journal I’ve just had my rather long, unfocused… er, discursive review of Michael Tisserand’s major new biography Krazy: George Herriman, A Life in Black and White published. Herriman’s Krazy Kat is widely, and for pretty good reasons, regarded as one of the greatest comics of all time, and really should also…
I hope you are all well. If you’re in London, do consider visiting my exhibition, Michelangelo & Sebastiano, at the National Gallery. It includes the juxtaposition, above, of Michelangelo’s two Risen Christs. I naturally recommend it.
The Constant Garage On Moebius’ comics masterpiece, the Hermetic Garage, at TCJ.com. Addition here
One Flew Out of the Cuckoo’s Nest — Comics Between Old and New A survey of comics and cartoon history in parallel and opposition to that of the fine arts.
In a couple of weeks’ time, on 15 March, the exhibition Michelangelo & Sebastiano opens at the National Gallery (trailer above). As its curator, I’ve worked on it for the past two and a half years and of course look forward to people seeing it. Briefly, it aims to be a focused show, examining the…
Ruppert/Mulot Interviewed Check this interview with the French cartooning duo over at TCJ.com.
What more appropriate comic could I have been writing about on the day of that bogus, horrifying presidential auguration? That’s right, the Norwegian artist Pushwagner’s Dystopian 1970s masterwork Soft City, now out in a handsome American edition from the New York Review. Go, read, at The Comics Journal.
The latest volume in University of Mississippi Press’ series compiling interviews with individual cartoonists features Chris Ware. It is edited by Jean Braithwaite, characteristically beautifully covered by Ware himself, and includes a compelling selection of very different interviews spanning the cartoonist’s career — including rarely-seen ones made very early on in his career as well…