Time for another of these snarky posts on the exasperating shortcomings of our fellow man (see previous installments). The trend for tracing photographs has never been more widespread in American comics, and while I don’t agree with Frank Santoro’s recent, refreshing but rather hardline dismissal of the technique, it has been responsible for some pretty damn dull-looking and stiff comics.
Tony Harris is a case in point: I like his work OK, and what little I’ve read of his series with writer Brian K. Vaughan, Ex Machina, has been enjoyable, but his characters continue to appear as if they were action figures posed in all their PVC glory, while his background drawings frequently look a tad too much like solarized scans of photographs. Slightly exasperating when you consider that his chops are actually decent enough. Give the lightbox a rest, will ya?