Rejsen til Saturn: The Movie

… er som ventet ikke særlig god; her en lynhurtig spontananmeldelse i kølvandet på gallapremieren, som min søster havde været så elskværdig at invitere mig med til:

Men lidt sjov er der dog: inkluderingen af en astronaut med indvandrerbaggrund åbner for en del relativt morsomme indslag om integration, Muhammed-krise og den slags, og enkelte gagscener er ret sjove, men på et komplet konventionelt plan. Den generelt respektløse og platte humor forekommer måske umiddelbart som en fin versionering af Deleurans stil, men hurtigt opdager man at fyndigheden, underfundigheden og det lune, øh, glimt i øjet ganske mangler.

Hype: I Love Graffiti

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My man Lars has started an English version of the sterling German graffiti blog, I Love Graffiti. And he has hit the ground running, blogging several posts a day and neatly providing both writers and enthusiasts with a one-stop entry point to the world of graffiti and related arts. He is amongst the foremost authorities on the field, so go bookmark.

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Top, archive image from legendary Copenhagen writer SEK; below it, illegal burner by Brazilian master Os Gemeos.

Ilden i Stengade

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Det virker som var det i en anden tidsalder, men første gang jeg var på Rubadub var der 20 mennesker, maximum. De var spredt rundt i lokalet; nogle hang i baren, andre stenede i de midt på dansegulvet anbragte sofaer og en ensom Hydepark stod oppe på scenen og spillede reggae, som så mange gange før. Det var første sommer, i 2002, og forholdene skulle snart ændre sig.

Kurt Westergaard: “I Regret”

In an interview, Kurt Westergaard regrets his appearance at the Danish People’s Party’s annual convention. He states that he “understands the principle that employees of independent media shouldn’t identify themselves with a political party“. But at the same time he complains that people make “primitive identifications” when someone — himself — speaks to different people, ie. the Danish People’s Party. I personally think that Westergaard’s got a fair point, but that’s just not how things work in the media these days (context matters!). And someone at Jyllands-Posten ought perhaps to have told him.

I’m glad Westergaard said sorry, but something’s still a little quirky here…

Picks of the Week

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The picks of the week from around the web.

  • The Nation. D.D. Guttenplan: “An Inky, Well-Paneled Place” — a thoroughly informed review of recent books on comics by David Hajdu and Douglas Wolk that situates its criticism in the broader context of the cultural history of comics. Why is there still little writing of this calibre in comics criticism?
  • Brother Ali freestyle on Live On B96. Check out this for a stunning rap performance from a freestyle master. What are you waiting for?
  • David Bordwell: “Some Cuts I’ve Known and Loved” and “They’re Looking for Us.” I link to David Bordwell’s amazing blog way too rarely, but seeing that the new, umpteenth revised edition of the his and Kristin Thompson’s excellent textbook Film Art: An Introduction is coming out, I thought I would. Explore the important minutiae of what makes films work through the eyes and mind of a master.
  • Alan Moore: “Magic is Afoot.” Perhaps one of the five best Alan Moore interviews ever published, this one which appeared in the free paper Arthur five years ago has now popped up online again. It’s the most concise, yet substantial presentation of his views on ontology, magic and creativity.
  • Kurt Westergaard & The Danish People’s Party


    Today, Kurt Westergaard — the (in)famous cartoonist behind the most disputed cartoon/drawing of the 21st Century — delivered a speech at The Danish People’s Party’s annual convention. Westergaard’s appearance was a total surprise; even his bosses at Danish newspaper Jyllands-Posten weren’t informed (internal policy at Jyllands-Posten forbid its employees from participating in organized political affairs). According to several reports, Westergaard spoke of freedom of speech and of his experiences as a cartoonist on the run. The delegates and members of the Danish People’s Party cheered for Westergaard, as if he were one of their own. Westergaard himself stated that he “speaks his mind everywhere and anywhere” and added that nobody was going to tell him what to say and what to do.

    Personally I don’t believe that Westergaard subscribes to the nationalistic and deeply right-wing views of the Danish People’s Party, but of course there shouldn’t be anything preventing any moderate or left-wing person from speaking at a right-wing Party’s convention. However, I honestly don’t think this was a smart move on Westergaard’s part. I myself work as a cartoonist/illustrator/artist, and speaking as a professional, I think Westergaard’s stunt was utterly disappointing.

    Whither Goes the Bridgewater Collection?

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    This isn’t exactly breaking news, but since I’ve been away and all, I haven’t had the time to process this. It’s a rather major development in the British Museum world that could end up either to the great benefit or even greater detriment to the museum-going public. Basically, the Duke of Sutherland, who owns what is perhaps the most important collection of old masters still in private hands, has decided to sell some of the works in his collection. But before offering them on the open market, he has given the National Gallery of Scotland, where these works have been deposited and on display since 1945, the chance to acquire them at a favourable price.