The Week in Review What a week. Starting with Fantask’s fortieth anniversary celebration last weekend and ending with my participation at NNCORE’s foundational meeting with a short Berlin jaunt to see the astonishing Renaissance portraits and Hokusai shows there. I hope to return a bit to the portraits (though I can’t promise anything), but just…
These last three days saw the foundational meeting of the Nordic Comics Research Network (NNCORE) at the University of Southern Denmark in Odense. Initiated by lecturer at the Department of History, Culture and Society Anne Magnussen, and funded by a grant from the Danish Research Council, the network seeks to develop relations between comics scholars…
In 1984, when she was 17, Ulli Schneider went to Italy on a lark. She returned to Austria two months later, a changed woman. The following year she had a child and went on with life. She attended art school in Vienna, became an illustrator and produced several children’s books, eventually assuming her mother’s maiden…
That’s my man Lars in 1991 and this past Saturday, respectively. The fortieth anniversary of Fantask was a trip down memory lane for us kids, plus a milestone in Danish comics-, SF-, and gaming culture. Frederik Høyer-Christensen documented some of the day and you can see the results in his flickr stream (including a tour…
Today the Copenhagen comics-, SF- and games store Fantask celebrates its fortieth anniversary. It is the oldest continually existing store of its kind in the world and an institution in Danish Danish comics, SF, and geek culture. An operation built from the ground up by its founders Søren Pedersen and Rolf Bülow (pictured) as well…
Autobiography has been such a defining direction in comics’ new wave of the last 20 years, its innovation so consistent, that it is mystifying still to hear repeated the cliché that most of these new ‘indy’ comics proffer little more than solipsistic tales of melancholy and masturbation. If one considers the work, it is hard…
The Week in Review (a.k.a. the feature formerly known as Picks of the Week). Over at Hooded Utilitarian this week, there’s been an interesting discussion of Orientalism in comics, prompted by the publication of Craig Thompson’s mammoth graphic novel Habibi. It’s an interesting issue and one that warrants attention like Nadim Damluji gave it here,…
Anders Nilsen – The Metabunker Interview An in-depth interview with one of our premier young comics artists. In four parts: 1, 2, 3, 4.
Just got word from Paul Gravett that his massive 1001 Comics You Must Read Before You Die is out in the UK, with the American edition to be released on 25 October and other national editions to follow. Many will be familiar with this popular series covering everything from books to wine. The remarkable thing…
The Week in Review (a.k.a. the feature formerly known as Picks of the Week) Jobs. I’m somewhat ambivalent about the mass adulation directed at the late Apple co-founder this past few days. No doubt he and his company revolutionized the way we interface with technology, even if he didn’t come up with the component parts…
The Graphic Novel Tradition? Does it make sense to rehabilitate the term ‘graphic novel’? Bonus discussion here.
This review was written for The Comics Journal in July 2010 before it was revealed that Judith Forest was a hoax, a clever ploy by cartoonist William Henne and 5e Couche’s publisher/provocateur Xavier Löwenthal to subvert people’s expectations and understanding of confessional autobiography — and more broadly the representation of “truth” — in comics. For…
The picks of the week from around the web. Music! So as I wrote, good to be back. And there’s a bunch of new, homegrown music out. Up there’s my man Ras Money’s first stab at deejaying on wax. He’s no Sizzla, but he represents his neighborhood Nordvest 2400 fresh as can be. Cop the…
Released 2010, David Prudhomme’s critically acclaimed, award-winning Rébétiko (la mauvaise herbe) is a celebration of the early 20th-century Greek tradition of urban music later united under that umbrella term. The story takes place over the course of a day in Athens, October 1936, a few months into the military regime of Ioannis Metaxas. It follows…