Freddie Hubbard RIP

I always loved Freddie Hubbard’s energetic and authoritative, yet airy and tender trumpet playing. His vigorous playing on the classic Ready for Freddie (1961), the way he takes the lead on Herbie Hancock’s Maiden Voyage (1965), his strong, equilibrist, if still outshone compliment to Coltrane on Ascension (1965), and his early somewhat fluffy but impeccable…

The Spark of Life

For lovers of Italian Renaissance art, this has been a pretty stellar year in terms of exhibitions. Amongst the major ones, the Rome/Berlin Sebastiano del Piombo show over the summer was an eye-opener, and this autumn’s double whammy of Andrea Mantegna in Paris and Giovanni Bellini in Rome offered strong contributions to this museum-goer’s sweet…

Ny fond for danske tegneserietegnere

Foreningen af danske tegneserieskabere har pga nye regler vedrørende uddeling af Copy-Dan midler stiftet en fond, der har til hensigt at støtte tegneserietegnere og -forfattere økonomisk. Af foreningens hjemmeside fremgår det, at “støtten hovedsagelig skal uddeles som arbejdslegater til danske tegneserieskabere, men kan også i mindre omfang uddeles som støttebeløb til tegneseriefaglige seminarer, varetagelse af…

RIP Party Arty

I was never a fan of Party Arty of the NYC crew Ghetto Dwellas, who sadly passed away a few days ago due to undisclosed health complications. An long-time affiliate of the legendary conglomeration Diggin in the Crates (D.I.T.C.), I first heard him on Show and AG’s Goodfellas, and he was pretty much the fly…

Odetta RIP

“O freedom, O freedom, O freedom over me, And before I’d be a slave, I’d be buried in my grave, And go home to my Lord and be free.” The New York Times‘ obituary. The clip above is from a performance of “Waterboy” as excerpted in Scorcese’s No Direction Home.